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Recorded on May 4 & 5, 2001 @ La Fenêtre Studio,
Paris (France)
Recording engineer: Philippe Maté
Editing & Mastering: Philippe Maté, Assif Tsahar
Painting: Obeye Fall
Photos: Thierry Trombert
Liner Notes: Alexandre Pierrepont
Design: Laurent Groffe
Produced by Gérard Terronès
Booklet version: French/English
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Excerpt from the booklet
The poet (Octavio Paz) said: Meaning is the son of sound
- to remind us that reality belongs to the sphere of meaning
(...), to the sphere of the universe he inherits with language,
with that part of language which is blessed with a life
of its own, which covers all the ranges of communication
and dwells in the sphere of sounds - the orchis-sphere of
Soliman-sound. (
)
I wonder if the music that plays in a language is of the
same nature as the one improvisers first hear, then convert
into some sort of sonic species. But I do wish, speaking
of a music like this and in times like ours, that people
would to a greater extent get the two approaches to coincide,
because the poetical instrument, harping together with the
musical instruments, will always tell us more about the
living presence of things. (
)
What a music like this reminds us is that form is not a
mere prop or a loophole: form is a resource and a property
which, with some people, evolves spontaneously. (
)
In this way, in such OPEN SYSTEMS, taking a form and a form´s
depth, it is a force that runs through bodies and states,
able to transform oneself. (
)
Alexandre Pierrepont
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