Flute
Solos/Movement Sounds
Bechegas / Trio Ik*Zs (3) |
Preis
/ Price : 15.08 €
Bestell-Nr. / P/O No. : LEO
LAB 032 |
|
 |
| |
 |
| |
|
Carlos
Bechegas
|
flutes, sound processors
synthesizers, keyboards
pitch to MIDI flute interface |
Ernesto
Rodrigues
|
violino |
José
Oliveira
|
percussion |
| |
|
| |
Carlos
Bechegas Trio Ik* Zs (3)
|
|
| 01. |
Circul´arabe/end´wave |
09:38 |
| 02. |
Lacy chord |
07:27 |
| 03. |
Impruvizus/ostinatum |
08:51 |
| 04. |
Density/circus |
10:33 |
| 05. |
Percu/hold sequence |
08:31 |
| |
´Movement
Sounds´
Flute solos with electronics
|
|
| 06. |
Minimal blue |
05:35 |
| 07. |
Midi - E. parker |
06:34 |
| 08. |
Modo p/Lacy |
04:53 |
| 09. |
Odnorafip´duo |
08:15 |
| 10. |
Octave ligato (b) |
02:13 |
| 11. |
Free narrat (11/6) |
03:06 |
| Total
time: |
00:00 |
| |
All compositions and improvised structures by Carlos
Bechegas
Published by Alissa Publishing /PRS
01. - 05. recorded April 1995
06. - 11. recorded November 1993
Mastering: Joaquim Pedro Jacobetty
Final mastering: Alan Mosley
Front picture: Ernesto Rodrigues
Cover by Alexandre Sousa
Photography: Pedro Martins
Produced by Leo Feigin
|
| |
| © & p LEO LAB (GB), 1997 |
| |
| Excerpt from the booklet: |
These two projects,
´Movements Sounds´ flute solos with electronics
and the trio IK*Zs (3) were recorded at the I and II oriental
Stage Theatre Improvising Music Meeting in 1993 and 1995 respectively.
They are presented here, on my first CD, as a natural result
of my travelling through many different academic and theoretical
studies, through experiencing many music languages: a course
in classical music, seminars on contemporary classical composition
and interpretation, jazz and improvised music workshops, twenty
years of playing live concerts in different genres: jazz-rock,
Portuguese popular music, big-band swing orchestra, dance music,
etc. (…)
As far as my trio IK*Zs (3) is concerned, we do not play freely
improvised music. Our method might be called ´structured
improvisation´, and the trio´s music is in a way
an extension of my flute and electronic solo concerts. We usually
find ideas for our structures during the rehearsals when we
allow ourselves to improvise spontaneously. We record our improvisations
and later on we analyse them to take from them the most interesting
parts. |
| Carlos
Bechegas |
|
| |
|