THE
VANDOEUVRE CONCERT
September Band
Carl
- Hirsch - Lovens - Reichel |
Preis
/ Price :
15.08 €
Bestell-Nr.
/ Purchase Order No. : FMP CD 072
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| Hans
Reichel |
guitar,
daxophone |
| Shelley
Hirsch |
voice |
| Rüdiger
Carl |
accordion,
clarinet |
| Paul
Lovens |
percussion |
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|
01.
|
That
little door (a) |
14:07 |
|
02.
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That
little door (b) |
11:35 |
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03.
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The
eye and the egg |
7:45 |
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04.
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Chicken's
little dick |
9:14 |
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05.
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Back
to the reservation |
12:07 |
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06.
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O
là là, sans sous |
4:14 |
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Total
time: |
59:02 |
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All
music by Carl, Hirsch, Lovens, Reichel
Recorded live by Daniel Koskowitz on May 14, 1994
at the 'Musique Action' Festival at the 'Centre Culturel
André Malraux' in Vandoeuvre-les-Nancy
Produced by Jost Gebers
Artwork: Herr Goldbroiler
Photos: Dagmar Gebers, Gérard Rouy
Liner
notes: Markus Müller
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| First
published in August 1995 |
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Excerpt
from the booklet:
(...) The SEPTEMBER BAND has, although working within a
definite framework enough of a sense of what´s possible, in
order to achieve that fascinating degree of intuitively structured
improvisation in a way never heard before.
First of all, this music quite obviously contradicts the usual
categorisations and prejudices that improvised music is too
often subjected to. (...)
I had the feeling of listening to a series of radio plays,
a kind of collection of short stories, in which certain protagonists
appear, again and again, but always in different places, in
different contexts. The changing between the known and the
unknown can after a while give rise to the well-known ´Lindenstraßen´-addict-syndrome:
you always have to know how it´s going on. And it´s always
at that moment when the listener thinks he has that familiar
feeling, the music is ready to conquer the next ´terra incognita´.
(...) The soundscape is in motion. The developing motives
obey the laws of improvisation, each musician tells his own
story and develops it in unison with the collection of stories
provided by his fellow musicians. (...) The continuously changing
spaces, in which the music appears, attach themselves to continuously
changing references to the sounds of this world. Like a flash
in the dark you imagine yourself hearing Jo Jones or Jimmy
Guiffre or a daxophone-baby over the sounds of Gamelan. At
least the possibility seems to appear from behind each and
every recess of reality. These possibilities are what makes
this music such a treat. |
Markus
Müller
Translation: Isabel Seeber / Paul Lytton
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